Raiders of the Lost Ark

Renowned archeologist and expert in the occult, Dr. Indiana Jones, is hired by the U.S. Government to find the Ark of the Covenant, which is believed to still hold the ten commandments. Unfortunately, agents of Hitler are also after the Ark. Indy, and his ex-flame Marion, escape from various close scrapes in a quest that takes them from Nepal to Cairo.

It heralded a new dawn for the summer blockbuster; scooped four Oscars; and elevated the dusty image of archaeology to the sexiest profession known to man. The final result is one of the most exhilarating examples of action/adventure cinema — its pre-credit sequence, a glowing homage to ye olde Hollywoode, establishes a breakneck pace that can surely never be sustained, but is.

While Harrison Ford was perfect as the hell-for-leather, loveable rogue, the locations sumptuous, the special effects breathtaking and the cinematography dazzling, the real success of Raiders' lies in its conception. A product of the near-Holy trinity of Spielberg, George Lucas and Lawrence Kasdan, it is the collaboration that holds the key to the magic.

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