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Reeling from the unexpected death of her husband, Beth (Rebecca Hall) is left alone in the lakeside home he built for her. She tries as best she can to keep it together -- but then nightmares come. Disturbing visions of a presence in the house calling to her, beckoning her with a ghostly allure.

Lucy Standbridge (Aubrey Plaza) has inherited her father's publishing house, and the ambitious would-be editor has nearly sunk it with failing titles. She discovers she is owed a book by Harris Shaw (Michael Caine), a reclusive, cantankerous, booze-addled author who originally put the company on the map decades earlier.

Following the rise of Aretha Franklin's career -- from a child singing in her father's church choir to her international superstardom -- it's the remarkable true story of the music icon's journey to find her voice.

"Hudson sure steps up to the challenge, dazzling with the song that lends its name to the film's title." - Time Out

Thrillingly provocative and original, Titane reaffirms writer-director Julia Ducournau's delightfully disturbing vision.

WINNER OF THE 2021 Palme d'Or AT THE CANNES FILM FESTIVAL 

"If I was ever asked to suggest a film that best exemplifies the best of Jackie Chan, there is no question this would be it."

Special Presentation in 35mm! Only at the Playhouse Cinema

On November 20, ex-Blade Runner Rick Deckard returns to his job to retire the escaped replicants led by Roy.

See two Blade Runners for the price of one.  Get fully immersed and maybe you can answer the question, "do androids dream of electric sheep?"

In the treacherous frontier city of Samurai Town, a ruthless bank robber (Nicolas Cage) is sprung from jail by wealthy warlord The Governor (Bill Moseley), whose adopted granddaughter Bernice (Sofia Boutella) has gone missing. The Governor offers the prisoner his freedom in exchange for retrieving the runaway.

An intimate look at the extraordinary rise, fall and redemption of televangelist Tammy Faye Bakker (Jessica Chastain).

"Renowned Italian director Sergio Leone had achieved what many believed to be the pinnacle of success in 1966, following completion of the last film of his famous Dollars trilogy, 'The Good, The Bad, and the Ugly'. Despite receiving universal accolades, he decided that he had said everything he wanted to say, and would not be returning to the Western genre.